淳化閣帖 – 全球珍藏

2023年-03月-25日 ➠ 783 ➠ ♥ 0

分类 Calligraphy书法 97篇中百篇内相关文章

《淳化阁帖》是中国最早的一部汇集各家书法墨迹的法帖。所谓法帖，就是传统法式，将古代著名书法家的墨迹经双钩描摹后，刻在石板或木板上，再拓印装订成帖。
《淳化阁帖》共10卷，收录了中国先秦至隋唐一千多年的书法墨迹，包括帝王、臣子和著名书法家等103人的420篇作品，被后世誉为中国法帖之冠和“丛帖始祖”。其中，第一卷收录汉章帝至唐19位帝王的书法，包括东晋明帝司马绍《墓次帖》、康帝司马岳《陆女郎帖》、哀帝司马丕《中书帖》等。
传世的《淳化阁帖》宋拓善本有：上海图书馆藏宋拓《淳化阁帖》（泉州本）十卷本，为明代袁枢、袁赋诚家族藏本，也称睢阳（尚书）袁氏藏本。中国历史博物馆藏《淳化阁帖》（泉州本）十卷本。香港中文大学藏《宋拓淳化阁·王右军书》（泉州本）残本（卷六、卷七、卷八之残本合并本）等。
宋淳化三年（992年）为中国书法史上的一大重要节点，它主宰了中国书法的发展方向。《淳化阁帖》的刊刻最终确立了王羲之的“书圣”地位。《淳化阁帖》开启了官刻丛帖之端，从而掀起了官私刻帖之风。
2019年03月，又见明代拓本《淳化阁帖》亮相嘉德四季第53期迎春拍卖会。
“Chunhua Pavilion Calligraphy” is the earliest calligraphy calligraphy calligraphy collection in China. The so-called French style is the traditional French style, in which the ink of famous ancient calligraphers is traced with two hooks, carved on stone or wood, and then rubbed and bound into a paste.

“Chunhua Pavilion Calligraphy” has a total of 10 volumes, including 420 works by 103 people, including emperors, ministers, and famous calligraphers, covering over 1000 years of calligraphy from the pre Qin to the Sui and Tang dynasties in China. It is known as the crown of Chinese calligraphy calligraphy and the “ancestor of Cong calligraphy” in later generations. Among them, the first volume contains the calligraphy of 19 emperors from Emperor Zhang of the Han Dynasty to Tang Dynasty, including the “Tomb Times Calligraphy” by Sima Shao, Emperor Ming of the Eastern Jin Dynasty, the “Lu Nulang Calligraphy” by Sima Yue, Emperor Kang, and the “Zhong Shu Calligraphy” by Sima Pi, Emperor Ai.

There are ten volumes of Song Tuo’s “Chun Hua Ge Tie” (Quanzhou edition) in the Shanghai Library, which is a collection of Yuan Shu and Yuan Fucheng’s family in the Ming Dynasty, also known as the Suiyang (Shang Shu) Yuan’s collection. The Chinese History Museum has a ten-volume edition of the “Chunhua Pavilion Calligraphy” (Quanzhou edition). The Chinese University of Hong Kong has collected fragments of the “Song Tuo Chun Hua Ge · Wang You Jun Shu” (Quanzhou edition) (a combined edition of the fragments of Volume 6, Volume 7, and Volume 8).

The third year of Song Chunhua (992) was an important milestone in the history of Chinese calligraphy, which dominated the development direction of Chinese calligraphy. The publication and engraving of “Chunhua Pavilion Calligraphy” ultimately established Wang Xizhi’s position as a “saint of calligraphy”. “Chunhua Pavilion Calligraphy” has opened the end of official engraving, thus setting off a trend of official private engraving.

In March 2019, the Ming Dynasty rubbings “Chunhua Pavilion Calligraphy” appeared at the 53rd issue of the Jiade Four Seasons Spring Festival Auction.