清代书法 – 全球珍藏

2022年-11月-02日 ➠ 254 ➠ ♥ 0

► 站内排名：No.11996 ◄

《故宫博物院藏文物珍品大系·清代书法》是2001年上海科学技术出版社出版的图书，作者是单国强。
清代堪称中国书法史上的中兴时期在书法上所取得的成就远比绘画辉煌，其主要标志是碑学的兴起和繁荣，不但取得了可与千余年帖学相辉映的显赫成就，而且以方兴未艾之势影响及于近现代。故宫博物院收藏的清代法书墨迹，在历代书法藏品中数量最多，范围也广，几乎涉及所有书派和名家，而且保存了大量的清代历朝帝王和大臣的书迹，既得以比较全面系统地梳理出清代书法史的发展演变脉络，又能够凸现清室宫廷书风的固有特色。通过朝野书法的联系、比较，对于清代书法如是变化的时代背景、主客观原因以及各种书派的优劣、得失，当能获得更具体、客观的了解。清代书法中兴所取得的成就，主要体现在以下几方面：一是涌现出一批影响深远、开宗立派的碑学名家，如邓石如、伊秉缓、何绍基、赵之谦、吴吕硕等人；二是沉寂数百年的篆、隶书体，既重整旗鼓，又脱古鼎革，形成新的风格流派；第三，真草篆隶各体相互汲取和交融，形成以隶入篆、以篆写草、草隶相间、隶楷互参的多种面貌，标新立异，纷创新格；第四，帖学向碑学的转换，既促进了碑学的成熟，也使帖学改弦易辙，汲取碑学之长，突破成规，呈现新生契机。
The Collection of Cultural Relics in the Palace Museum · Calligraphy of the Qing Dynasty is a book published by Shanghai Science and Technology Press in 2001. The author is Shan Guoqiang.
The Qing Dynasty can be called the Zhongxing period in the history of Chinese calligraphy, and its achievements in calligraphy are far more brilliant than those in painting. Its main sign is the rise and prosperity of stele inscriptions. It not only achieved remarkable achievements that can be reflected with the calligraphy of more than 1000 years, but also influenced the modern times with a rising trend. The calligraphy of the Qing Dynasty in the Imperial Palace Museum has the largest number of calligraphy collections in the past dynasties and covers a wide range, involving almost all calligraphers and famous scholars. In addition, it has preserved a large number of calligraphy of emperors and ministers of the Qing Dynasty, which not only can comprehensively and systematically sort out the development and evolution of the calligraphy history of the Qing Dynasty, but also can highlight the inherent characteristics of the imperial style of calligraphy of the Qing Dynasty. Through the connection and comparison between the imperial calligraphy and the unofficial calligraphy, we can get a more specific and objective understanding of the changing background of the times, subjective and objective reasons, advantages and disadvantages, gains and losses of various calligraphy schools in the Qing Dynasty. The achievements of the calligraphy resurgence in the Qing Dynasty are mainly reflected in the following aspects: First, a group of famous tablet scholars with far-reaching influence and founding a school emerged, such as Deng Shiru, Yi Binghuan, He Shaoji, Zhao Zhiqian, Wu Lvshuo, etc; Second, the seal script and official script, which have been silent for hundreds of years, not only regrouped, but also broke away from the ancient changes to form a new style school; Third, the real grass seal script and clerical script learn from and blend with each other, forming a variety of features, such as clerical script into the seal script, writing grass with seal script, alternating grass and clerical script, and mutual reference between clerical script and regular script; Fourthly, the transformation from epigraphy to epigraphy not only promoted the maturity of epigraphy, but also changed the course of epigraphy, learned from the strengths of epigraphy, broke through the rules and presented new opportunities.