《杭州福神观记》是一篇碑记，由邓文原撰文，赵孟頫书写，记述道教领袖张惟一委派崔汝晋重建位于西湖断桥之侧的福神观之始末。赵孟頫书此碑记于元延祐七年（1320年），时已67岁，属其极晚年作品，已臻“人书俱老，炉火纯青”的境界。作品以乌丝界栏。字体主要取法唐代李邕，参以己意，雄健开张，用笔圆劲浑厚。全文七百余字一气呵成，功力非凡。当年应曾上石，今碑已佚，唯此墨迹存世。卷后有清吴荣光、周寿昌、杨岘题跋。《杭州福神观记》见于《辛丑销夏记》、《须静斋烟云过眼录》、《过云楼书画续记》等书著录。
赵孟頫（1254—1322），字子昂，号松雪，松雪道人，又号水精宫道人、鸥波，中年曾作孟俯,汉族，吴兴（今浙江湖州）人。元代著名画家，楷书四大家（欧阳询、颜真卿、柳公权、赵孟頫）之一。赵孟頫博学多才，能诗善文，懂经济，工书法，精绘艺，擅金石，通律吕，解鉴赏。特别是书法和绘画成就最高，开创元代新画风，被称为“元人冠冕”。他也善篆、隶、真、行、草书，尤以楷、行书著称于世。
“Hangzhou Fu Shen Guan Ji” is a tablet inscription written by Deng Wenyuan and Zhao Mengfu, which describes the beginning and end of the Taoist leader Zhang Youyi’s appointment to Cui Rujin to rebuild the Fu Shen Guan on the side of the Broken Bridge on the West Lake. Zhao Mengfu wrote this inscription in the seventh year of Yanyou in the Yuan Dynasty (1320), when he was 67 years old. It is a work of his very late years, and has reached the state of “everyone’s calligraphy is old, and the furnace is pure and green.”. The work is bounded by black silk. The font is mainly based on Li Yong of the Tang Dynasty. It is inspired by his own ideas, and is vigorous and vigorous. The pen is round, vigorous, and thick. The full text is composed of over 700 words in one fell swoop, with extraordinary skill. “In those days, it should have been inscribed on the stone, but now the monument has been lost. Only this ink trace remains in the world.”. After the volume, there are inscriptions and postscripts by Wu Rongguang, Zhou Shouchang, and Yang Xian of the Qing Dynasty. “The Records of Hangzhou Fu Shen Guan” can be found in books such as “The Records of Xinchou Selling Summer”, “The Records of Smoke and Clouds Passing through the Eyes in Xujing Zhai”, and “The Continuation of Calligraphy and Painting in Guo Yun Lou”.

Zhao Mengfu (1254-1322), with the character Zi Ang, is also known as Song Xue, Song Xue Taoist, and Shui Jing Gong Taoist, Ou Bo Taoist. In his middle age, he was once Meng Fu, a Han nationality, and a native of Wuxing (now Huzhou, Zhejiang). Famous painter of the Yuan Dynasty, one of the four masters of regular script (Ouyang Xun, Yan Zhenqing, Liu Gongquan, Zhao Mengfu). Zhao Mengfu is erudite and versatile, capable of poetry and literature, understanding economics, working in calligraphy, exquisite painting, proficient in gold and stone, proficient in law and Lv, and understanding appreciation. In particular, calligraphy and painting achieved the highest achievements, creating a new style of painting in the Yuan Dynasty, known as the “crown of the Yuan Dynasty.”. He is also good at Zhuan, Li, Zhen, Xing, and cursive script, and is especially famous for regular script and running script.

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