《后梅花喜神谱》，又名《竹波轩梅册》，不分卷，清刻本，清嘉道年间著名画家，梅花的灵魂画手郑淳绘，梅谱版画，广幅刊刻，众多墨笔题词，原迹呈现梅花神韵。书口题《竹波轩梅册》，扉页有阮元题写：“后梅花喜神谱”六字，“喜神”即“写真”的谐音，宋时将写真画像俗称“喜神”。前有阮元序，次有道光戊戌（1838）汤金钊序，全书分梅谱及题跋两部分。全书共收姿态各异梅花三 十余幅，有一页一幅，有对页连式。梅谱前后所载题咏多达百余篇，皆为名家所作，题跋书法各异，均钤题跋者印。作者善守古法，精画墨梅，笔下梅花姿态横生，香冷清韵，冰姿玉骨，清气袭人，为梅花习绘者所钟爱。 编辑推荐 1.梅花形态有繁有简，形态丰富，疏影横斜，暗香浮动，花香墨香香气袭人，为古代梅花写真中不可多得的精品。 2.众多名家题咏，展现多元风格，为了解郑淳其人及其绘画艺术，解读帧帧梅花的技法提供了详尽的文本…(展开全部) 《后梅花喜神谱》，又名《竹波轩梅册》，不分卷，清刻本，清嘉道年间著名画家，梅花的灵魂画手郑淳绘，梅谱版画，广幅刊刻，众多墨笔题词，原迹呈现梅花神韵。书口题《竹波轩梅册》，扉页有阮元题写：“后梅花喜神谱”六字，“喜神”即“写真”的谐音，宋时将写真画像俗称“喜神”。前有阮元序，次有道光戊戌（1838）汤金钊序，全书分梅谱及题跋两部分。全书共收姿态各异梅花三 十余幅，有一页一幅，有对页连式。梅谱前后所载题咏多达百余篇，皆为名家所作，题跋书法各异，均钤题跋者印。作者善守古法，精画墨梅，笔下梅花姿态横生，香冷清韵，冰姿玉骨，清气袭人，为梅花习绘者所钟爱。 编辑推荐 1.梅花形态有繁有简，形态丰富，疏影横斜，暗香浮动，花香墨香香气袭人，为古代梅花写真中不可多得的精品。 2.众多名家题咏，展现多元风格，为了解郑淳其人及其绘画艺术，解读帧帧梅花的技法提供了详尽的文本。 郑淳，号箫卿、小樵、四明山民，浙江镇海人，清嘉庆道光间著名画家，尤擅于画梅花。
“Post-member Blossom Joy Manual”, also known as “Zhubo Xuan Plum Book”, is a non-volume, Qing engraving. It is a famous painter during the reign of Emperor Jiadao in the Qing Dynasty, and the soul painter of plum blossom, Zheng Chun, who painted the plum blossom, printed the plum blossom spectrum, and published widely. Many ink inscriptions, and the original works show the charm of plum blossom. The title of the book is “Plum Album in Bamboo Pavilion”. On the title page, Ruan Yuan wrote: “The Joy God of the Plum Blossom”. “Joy God” is the homonym of “realistic”. In the Song Dynasty, the realistic portrait was commonly known as “Joy God”. The first is Ruan Yuan Preface, and the second is Tang Jinzhao Preface of Daoguang Wuxu (1838). The whole book is divided into two parts: plum spectrum and postscript. There are more than 30 plum blossoms with different postures in the book, including one page and one page. There are more than 100 inscriptions before and after the plum tree, all of which are written by famous scholars. The inscriptions and postscripts are different in calligraphy, and all of them are sealed by the person who wrote the inscriptions and postscripts. The author is good at abiding by the ancient law and painting ink plums. The plum blossoms in his paintings are full of fragrance, cold and clear rhyme, ice and jade bones, and fresh air. He is loved by plum blossom painters. Editor’s recommendation 1. The plum blossom has a variety of forms, rich forms, thin shadows, oblique shadows, floating dark fragrance, and attractive fragrance of flowers and ink. It is a rare boutique in ancient plum flower portraits. 2. Many famous artists chanted and displayed diverse styles, providing detailed texts for understanding Zheng Chun and his painting art, and interpreting the techniques of frame plum blossom (Expand all) “Post-member Blossom Joy Manual”, also known as “Zhubo Xuan Plum Album”, is not divided into volumes, and is printed in Qing Dynasty. It is a famous painter during the reign of Emperor Jiadao in Qing Dynasty and the soul painter of plum blossom, Zheng Chun, who painted the plum blossom, printed the plum blossom spectrum, printed in a wide range of publications, and many ink inscriptions. The original works show the charm of plum blossom. The title of the book is “Plum Album in Bamboo Pavilion”. On the title page, Ruan Yuan wrote: “The Joy God of the Plum Blossom”. “Joy God” is the homonym of “realistic”. In the Song Dynasty, the realistic portrait was commonly known as “Joy God”. The first is Ruan Yuan Preface, and the second is Tang Jinzhao Preface of Daoguang Wuxu (1838). The whole book is divided into two parts: plum spectrum and postscript. There are more than 30 plum blossoms of different postures in the book, including one page and one page. There are more than 100 inscriptions before and after the plum tree, all of which are written by famous scholars. The inscriptions and postscripts are different in calligraphy, and all of them are sealed by the person who wrote the inscriptions and postscripts. The author is good at abiding by the ancient law and painting ink plums. The plum blossoms in his paintings are full of fragrance, cold and clear rhyme, ice and jade bones, and fresh air. He is loved by plum blossom painters. Editor’s recommendation 1. The plum blossom has a variety of forms, rich forms, thin shadows, oblique shadows, floating dark fragrance, and attractive fragrance of flowers and ink. It is a rare boutique in ancient plum flower portraits. 2. Many famous artists chanted and displayed diverse styles, providing detailed texts for understanding Zheng Chun and his painting art, and interpreting the techniques of frame plum blossom. Zheng Chun, named Xiao Qing, Xiao Qiao, Siming Mountain People, a native of Zhenhai, Zhejiang Province, and a famous painter in Daoguang, Jiaqing, Qing Dynasty, is especially good at painting plum blossoms.

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