源氏五十四帖 – 全球珍藏

2023年-02月-09日 ➠ 465 ➠ ♥ 0

分类 Global国外名家 146篇中百篇内相关文章

源氏物语为日本三大女流文学（源氏物语、枕草子、和泉式部日记）之首，亦有「日本的红楼梦」之称，开启日本“物哀”时代。出现于11世纪初（相当我国北宋时期），长达百万余字，登场人物数百，分54帖（相当于小说中的『章』或『回』），日人自诩世界最早的长篇写实「小说」（其实也有道理，请见正文）。“源氏”是前半部男主人公的姓，“物语”意为“讲述”，是日本古典文学一种体裁，类似我国唐代传奇、宋代话本，但行文典雅，更具散文韵味。没仔细看过《源氏物语》，真的就是梦幻般俊美的源氏公子泡了一个妹妹又泡了一个妹妹……然后再泡一个妹妹，可是与《金瓶梅》相比，黄色和文字方面就也没什么让人惊叹。但小说章节标题、风景描写以及小说中的诗有点意思，而对人物服饰搭配、色彩的描写则不如《枕草子》出色。【日本人喜欢情色描写，这书可以让人想起《写乐的感官世界》，那个倒是比较专一。】更感兴趣的是日本历代画家为《源氏物语》所绘插画（俗称《源氏五十四帖》）：分明一部成人文学作品，插画风格却都有点卡通——可成巨著书写的爱恨情仇、甚至生死别离，都象是一群半大孩子的过家家游戏——有时暗自揣测这是否也是日本人“物哀”之另一种百转千回，含蓄委婉到让人蛋疼。版本狠多，我们分两期陆续整理海老名正夫绘及岡田元史绘《源氏五十四帖》。前者谓为经典，1953年出版，画中右上方乃源氏香图，凡五十二纹，并无首尾二帖。版画五十四幅，无源氏亡故之云隐一帖，以若菜分上下二帖补足。
后者为1986年复原，并于1992年在复原版基础上，加以独特个人风格和想象，创作出新「源氏物语五十四帖」绘卷系列。插画风格狠萌，色调轻淡漫撒淡淡奢华。
The story of Genji is the first of the three major female literature in Japan (the story of Genji, the story of pillow grass, and the diary of the Ministry of Watanabe). It is also known as the “Dream of the Red Mansions in Japan”, which ushers in the era of “material mourning” in Japan. It appeared at the beginning of the 11th century (equivalent to the Northern Song Dynasty of China), with more than one million words, hundreds of characters and 54 posts (equivalent to “chapter” or “back” in the novel). Japanese people boast of the world’s earliest realistic “novel” (which is also reasonable, see the text). “Genji” is the surname of the hero in the first half of the book. “Story” means “telling”. It is a genre of Japanese classical literature. It is similar to the legend of the Tang Dynasty and the script of the Song Dynasty, but the style is elegant and more prosaic. I haven’t read the Tale of Genji carefully. It’s really the dreamlike and handsome Genji childe who has a sister and a sister… and then a sister. But compared with the Golden Vase Plum, the yellow and text are not surprising. However, the title of the novel chapters, the description of the scenery and the poems in the novel are somewhat interesting, while the description of the characters’ clothing collocation and color is not as good as that in Pillow Grass. [The Japanese like erotic descriptions, which can remind people of the Sensory World of Writing Music, which is more specific.] What is more interesting is the illustrations drawn by Japanese painters for Genji Story (commonly known as Genji 54 Posts): It is clear that an adult literary work has a little cartoon style, which can become love and hate, or even life and death separation written in a great book, It is like a family game for a group of half-aged children. Sometimes I secretly guess whether this is another kind of Japanese “material grief”, which is so subtle and euphemistic that it hurts people. There are many versions, and we have sorted out the fifty-four Genji paintings of the famous Masao Hiroshi and the Yuanshi Okada in two phases. The former is called a classic. It was published in 1953. The upper right of the painting is the Genji incense map. There are fifty-two patterns, without two stickers at the beginning and the end. There are 54 prints, one of which is the Yunyin of the death of Mogenji. It is supplemented by two pieces of Ruochi.
The latter was restored in 1986, and in 1992, based on the original version, a new series of “54 Genji Tales” was created with unique personal style and imagination. The style of illustration is very cute, and the color is light and luxurious.