Global国外名家 Painting绘画 32P 顔筋柳骨.米斎仙史画
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前人评颜真卿的字多“筋”,柳公权的字多“骨”,故有“颜筋柳骨”之说。宋范仲淹诔石曼卿文云:“延年之笔,颜筋柳骨。”在中国民间说起学习书法,往往称道“颜筋柳骨”,当作学书者的楷模。“颜筋柳骨”,是分别指书法家颜真卿(709一785)和柳公权(778—865)的艺术特色。“颜筋”:颜真卿的书法,雄强浑厚,韧若筋带,世称“颜体”。俗话说:“书如其人。”欲识颜书,得先知其人品。“柳骨”:柳公权,字诚悬,是唐代与颜真卿齐名的大书法家。故世人如同称“李杜”、“韩柳”一样,并称其为“颜柳”。当中国文化传入到日本后,日本人从他们的书法艺术中获得灵感;创造了新的风格的绘画。例如这本明治时期的米斎仙史/安田米斎的诗画集。
The predecessors commented that Yan Zhenqing’s words were more “sinews” and Liu Gongquan’s words were more “bones”, so there was a saying of “facial muscles and willow bones”. Fan Zhongyan of the Song Dynasty eulogized Shi Manqing and said, “The pen of prolonging the life of the year has its own facial muscles and bones.” When it comes to learning calligraphy in Chinese folk, it is often called “facial muscles and bones” as a model for calligraphers. “Yan Zhenqing (709-785) and Liu Gongquan (778-865), the calligraphers, respectively, refer to their artistic features. “Yan Jin”: Yan Zhenqing’s calligraphy is strong and thick, as tough as a band, and is known as “Yan Ti”. As the saying goes, “A book is like a man.” If you want to know Yan Shu, you must know his character. “Willow bone”: Liu Gongquan, whose character is sincere, is a great calligrapher in the Tang Dynasty who is as famous as Yan Zhenqing. The old people called them “Yan Liu” as well as “Li Du” and “Han Liu”. When Chinese culture was introduced to Japan, the Japanese got inspiration from their calligraphy art; Created a new style of painting. For example, this book of poems and paintings of the Meiji period’s Mi Sai Xian Shi/Yasuda Mi Sai.


Global国外名家 Painting绘画 32P 顔筋柳骨.米斎仙史画


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可点 ➠ 2023年-02月-06日 127 s 0
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