潇湘八景图.雪舟画

2023年-02月-04日 ➠ 814 ➠ ♥ 0

分类 Global国外名家 146篇中百篇内相关文章

潇湘是中国文学中非常重要的题材，从《山海经》以来，这个词就频繁出现在各种文学体裁和艺术形式中，最有名的应该是几首诗词中的，比如太白的“帝子潇湘去不还，空余秋草洞庭间。淡扫明湖开玉镜，丹青画出是君山”、少游的“郴江幸自绕郴山，为谁流下潇湘去”，而放翁的“挥毫当得江山助，不到潇湘岂有诗”更是把潇湘提升到了诗人灵感迸发之处的地位，可见历代文人对潇湘的偏爱。

日本画家也纷纷拿起画笔绘制潇湘八景，较早的应该算是日本山水画的宗师雪舟，雪舟生活在室町时代和战国初期，大约相当于明代前期，他曾随遣明使赴中国游历，大量师法唐宋以来的中国山水画大师和日本的早期山水画宗匠，终成一代宗师。雪舟是否画过《潇湘八景图》尚有一定疑问，因为现存认为属于雪舟的实际上是江户前期狩野派的大师狩野探幽摹绘的。
Japanese painters have also picked up their brushes to draw the eight scenes of Xiaoxiang. The earlier one should be regarded as the master of Japanese landscape painting, the snow boat, which lived in the Muromachi era and the early Warring States period, about the same as the early Ming Dynasty. He once sent a Ming envoy to China to travel, and a large number of masters of Chinese mountain and water painting since the Tang and Song dynasties and the early masters of Japanese landscape painting have become masters. There is still some doubt whether the snow boat has painted the “Eight Scenes of Xiaoxiang”, because the existing snow boat is actually painted by the master of the early Edo Shouye School, Shouye Exploration.
Xiaoxiang is a very important subject in Chinese literature. Since the “Classic of Mountains and Seas”, the word has frequently appeared in various literary genres and artistic forms. The most famous one should be in several poems, such as Taibai’s “whether the emperor Xiaoxiang will return or not, the empty autumn grass between the Dongting.” A light sweep of the Ming Lake opens a jade mirror, and the blue painting shows that it is Junshan “, and the less traveled” Chenjiang River is lucky to go around Chenshan, for whom it flows down to Xiaoxiang “, However, Fangweng’s “brush should be helped by Jiang and Shan, and there is no poem in Xiaoxiang before it” has promoted Xiaoxiang to the position of the place where the poet’s inspiration burst out, which shows the preference of scholars in the past dynasties for Xiaoxiang.