《耕织图》是南宋绍兴年间画家楼璹所作，作品得到了历代帝王的推崇和嘉许。天子三推，皇后亲蚕，男耕女织，这是中国古代很美丽的小农经济图景。南宋时的楼俦在任于潜令时，绘制《耕织图诗》45幅，包括耕图21幅、织图24幅。清朝康熙南巡，见到《耕织图诗》后，感慨于织女之寒、农夫之苦，传命内廷供奉焦秉贞在楼绘基础上，重新绘制，计有耕图和织图各23幅，并每幅制诗一章。
The Painting of Cultivating and Weaving was painted by Lou Bin, an artist in Shaoxing, Southern Song Dynasty. The painting was highly praised and praised by emperors of all dynasties. The emperor pushed three times, the empress loved silkworms, and the men cultivated and women knitted. This is a very beautiful picture of smallholder economy in ancient China. In the Southern Song Dynasty, when they were in charge of Qianling, the Lou couple drew 45 pieces of “Poems on Cultivating and Weaving”, including 21 pieces of ploughing and 24 pieces of weaving. During the southern tour of Kangxi in the Qing Dynasty, when he saw the “Poems of Cultivating and Weaving”, he was deeply impressed by the cold weather of the Weaver Girl and the suffering of the farmer, and ordered the inner court to worship Jiao Bingzhen and redraw them on the basis of the floor painting. There were 23 ploughing and weaving maps, each with a chapter of poetry.

历史上的今天 ( 35 )：