恶有恶报·莎士比亚全集4

2023年-05月-05日 ➠ 910 ➠ ♥ 0

Culture文化 Masterpiece名著 219P 恶有恶报·莎士比亚全集4

《无事生非》是英国剧作家威廉·莎士比亚创作的戏剧，写作年代应在1598-1599年。
该喜剧是威廉·莎士比亚写作成熟时期的作品，讲述了那个时代两种类型的爱情故事：一个是遵循社会规范与门第观念，代表传统结合的希罗和克劳迪；另一个是起初相互嘲讽、各不相让，最后却是彼此倾倒、完满结合的培尼狄克和贝特丽丝。在这部喜剧中，莎翁探讨了自我意识、男女之间的真诚与相互尊重、以及社会秩序等问题。
《无事生非》围绕求婚主题并行两条线索。其中的一对情侣是克劳狄奥和希罗。克劳狄奥向希罗求婚，得到希罗父亲的许可。
但在婚礼上，阿拉贡亲王的庶弟约翰由于嫉妒和无聊捏造谗言，致使克劳狄奥上当受骗，以为希罗是不贞洁的女子而当面侮辱希罗，差点致希罗于死地。神父想出计谋，让希罗假死然后查出真相，后来骗局被揭穿，克劳狄奥与希罗重归于好。这一条线索似乎符合当时的婚姻传统模式。
而另一线索是，冤家对头培尼狄克和贝特丽丝骄傲并蔑视婚姻，但在亲王善意的圈套中都认为对方爱恋自己，从此低下高傲的头颅，并且对对方产生了真正的感情。弄假成真走向婚姻殿堂。
剧中两条故事线，是威廉·莎士比亚取材不同故事改编而成。希罗和克劳狄奥的故事似乎是根据意大利的亚瑞欧托（Ariosto）1516年出版的《愤怒的奥兰多》（Orlando Furioso，英译本于1591年出版），以及邦代罗（Matteo Bandello）于1554年出版的《小说》（Novella）中的第二十二个短篇小说所改写而成。这则含悲剧成分的故事，带有浪漫多情的意大利风味。此外，在文艺复兴时期，时而可见未婚女子被污蔑的题材，其中也有不少以悲剧作收，史宾赛的《仙后》（Faerie Queene）中就有类似的例子。
《无事生非》与《皆大欢喜》和《第十二夜》并称为三大欢庆喜剧。
Making Trouble out of Nothing is a play created by William Shakespeare, a British playwright. It was written in 1598-1599.

The comedy is a work of William Shakespeare in his mature writing period, which tells two types of love stories in that era: one is to follow social norms and the concept of family status, representing Hero and Claude who combine tradition; The other was Benedict and Beatrice, who initially mocked each other and refused to compromise, but ultimately fell for each other and perfectly combined. In this comedy, Shakespeare explores issues such as self-awareness, sincerity and mutual respect between men and women, and social order.

There are two parallel clues around the theme of marriage proposal in ‘Nothing Makes a Difference’. One of the couples is Claudio and Hero. Claudio proposed to Hero and obtained his father’s permission.

But at the wedding, John, the brother-in-law of Prince Aragon, fabricated slander due to jealousy and boredom, causing Claudio to be deceived, thinking that Hero was an impure woman and insulting him in person, almost causing Hero to die. The priest came up with a plan to have Hero feign death and uncover the truth. Later, the scam was exposed, and Claudio and Hero reconciled. This clue seems to be in line with the traditional mode of marriage at that time.

And another clue is that their enemies Benedict and Beatrice are proud and contemptuous of their marriage, but in the prince’s kind trap, they both believe that the other party loves them, and from then on, they lower their arrogant heads and develop true feelings for each other. Fake it into reality and walk towards the palace of marriage.

The two story lines in the play are adapted from different stories by William Shakespeare. The story of Hero and Claudio seems to have been adapted from the publication of Orlando Furioso by Ariosto in Italy in 1516 (English translation published in 1591) and the 22nd short story in Novella by Matteo Bandello in 1554. This tragic story has a romantic and sentimental Italian flavor. In addition, during the Renaissance, there were occasional themes of unmarried women being stigmatized, with many ending in tragedy, such as in Spencer’s “Faerie Queen”.

Nothing makes trouble “,” Everyone is happy “, and” Twelfth Night “are collectively known as the three major celebratory comedies.