故宫竹木牙角图典

2022年-12月-12日 ➠ 431 ➠ ♥ 0

Antique古董 Art艺术 342P 故宫竹木牙角图典

《故宫竹木牙角图典》是由张荣，刘岳主编的，紫禁城出版社出版的图书。《故宫竹木牙角图典》内容简介：故宫文化，从一定意义上说是经典文化。从故宫的地位、作用及其内涵看，故宫文化是以皇帝、皇宫、皇权为核心的帝王文化和皇家文化，或者说是宫廷文化。皇帝是历史的产物。在漫长的中国封建社会里，皇帝是国家的象征，是专制主义中央集权的核心。同样，以皇帝为核心的宫廷是国家的中心。故宫文化不是局部的，也不是地方性的，无疑属于大传统，是上层的、主流的，属于中国传统文化中最为堂皇的部分，但是它又和民间的文化传统有着千丝万缕的关系。故宫文化具有独特性、丰富性、整体性以及象征性的特点。从物质层面看，故宫只是一座古建筑群，但它不是一般的古建筑，而是皇宫。中国历来讲究器以载道，故宫及其皇家收藏凝聚了传统的特别是辉煌时期的中国文化，是几千年中国的器用典章、国家制度、意识形态、科学技术，以及学术、艺术等积累的结晶，既是中国传统文化精神的物质载体，也成为中国传统文化最有代表性的象征物，就像金字塔之于古埃及、雅典卫城神庙之于希腊一样。因此，从这个意义上说，故宫文化是经典文化。
The Bamboo, Wood and Tooth Corners of the Forbidden City is a book compiled by Zhang Rong and Liu Yue and published by the Forbidden City Press. The Forbidden City Bamboo, Wood and Tooth Corners Pictorial Description: The Forbidden City culture, in a sense, is a classic culture. From the perspective of the status, function and connotation of the Forbidden City, the Forbidden City culture is the imperial culture and royal culture, or the palace culture, with the emperor, the palace and the imperial power as the core. The emperor is a product of history. In the long feudal society of China, the emperor was the symbol of the country and the core of authoritarian centralization. Similarly, the imperial court with the emperor as the core is the center of the country. The culture of the Forbidden City is neither local nor local. It undoubtedly belongs to the great tradition, the upper class, the mainstream, and the most magnificent part of Chinese traditional culture. However, it is inextricably linked with folk cultural traditions. The culture of the Forbidden City is characterized by uniqueness, richness, integrity and symbolism. From the material level, the Forbidden City is just an ancient building complex, but it is not an ordinary ancient building, but a palace. China has always stressed the importance of carrying the Tao with vessels. The Forbidden City and its royal collection have condensed the traditional Chinese culture, especially in the glorious period. It is the crystallization of thousands of years of Chinese regulations, national systems, ideology, science and technology, as well as academic and artistic accumulation. It is not only the material carrier of the spirit of Chinese traditional culture, but also the most representative symbol of Chinese traditional culture, just like the pyramid in ancient Egypt The Acropolis Temple in Athens is the same as that in Greece. Therefore, in this sense, the Forbidden City culture is a classic culture.