江山無盡圖.王翚 – 全球珍藏

2023年-01月-01日 ➠ 299 ➠ ♥ 0

分类 China国内名家 34篇中百篇内相关文章

王翚为清初“四王”之一，是传统绘画之集大成者，自谓“以元人笔墨，运宋人丘壑，而泽以唐人气韵，乃为大成”。其在世时受到朝野追捧，声誉之隆，身价之高，一时罕有匹者。曾有“画圣”之目，人视其为“虞山派”开山之祖。此卷《江山无尽图》王石谷自署“庚寅秋仲”，即1710年所作，时年79岁，属于人画俱老的晚年精品，可谓老笔纷披，苍中毓秀，直入化境，集古人大成而自出机枢。作品描绘江南风光，景观可居可游，丘壑多姿，草木丰茂，茅舍楼阁，湖面泛舟，均是夏日清幽自在之境，沁人心脾。石谷自云：临赵松雪江山无尽图。但笔墨风调，仍不离自家本色。用笔苍秀，色墨润泽，浑厚而雅逸，精气袭人，令人向往不已，是石谷老人晚年极精作品，尤难得。画上左下角之半截印“无棣我堂”藏章以及“松年鉴藏”、“坤一书画”诸印可知，此作最初当为吴自肃（1630-1713）所得，吴自肃，号我堂，山东无棣人，康熙甲辰进士，曾官刑部尚书，著有《我堂存稿》。后归钱载所得，钱载（1708-1793）字坤一，乾隆十七年进士。后再由邵松年递藏，邵松年（1848-1924）字伯英，江苏常熟人，光绪九年进士，官河南学政。著有《古缘萃录》。后由黄咏雩收入天蠁楼中，流传清晰有绪。
Wang Hui, one of the “Four Kings” in the early Qing Dynasty, is the epitome of traditional painting. He calls himself “the great achievement of using Yuan people’s brush and ink to transport Song people’s valleys, while using Tang people’s charm”. When he was alive, he was sought after by the government and the public. His reputation was very high and his value was very high. He was once regarded as the founder of the Yushan Sect. This volume of “The Endless Mountains and Rivers Painting” was written by Wang Shigu himself in 1710 as “Geng Yin Qiu Zhong”. It was 79 years old at that time. It is a masterpiece in his old age. It can be said that there are many old paintings. It is graceful and beautiful in the sky. It goes straight into the realm of transformation and integrates the achievements of the ancients. The work depicts the scenery of the south of the Yangtze River. The landscape can be lived and visited. The hills and valleys are colorful. The grass and trees are luxuriant. The thatched cottages and pavilions, and the lake boating are all a quiet and comfortable place in summer, refreshing. From the cloud in the Stone Valley: endless pictures of Zhao Songxue’s rivers and mountains. But the style of writing and ink is still the same. The pen is beautiful, and the ink is glossy. It is rich and elegant. The essence is impressive, which makes people yearn for it. It is a masterpiece of Shigu old people in their later years, especially rare. The half of the seal in the lower left corner of the painting is the seal of “Wudi My Hall”, the seal of “Songnian Collection”, and the seal of “Kunyi Calligraphy and Painting”. It can be seen that this work was originally obtained by Wu Zisu (1630-1713). Wu Zisu, who was born in Wudi, Shandong Province, was a scholar of Kangxi’s Jiachen period, and was a minister of the Ministry of Criminal Justice. Later, it was returned to Qian Zai. Qian Zai (1708-1793) was named Kunyi. He was a scholar in the seventeenth year of Qianlong reign. Shao Songnian (1848-1924), a native of Changshu, Jiangsu Province, was later handed over to Tibet by Shao Songnian. He was a scholar in the ninth year of Guangxu, and was an official in Henan Province. He is the author of “Ancient Fate Collection”. Later, the rain was collected by Huang Yongyu into Tianyu Building, which was clearly spread.