精绘红楼梦插图 – 全球珍藏

2024年-02月-23日 ➠ 566 ➠ ♥ 0

哈喽，小伙伴们，小编是一枚绘画爱好者，很喜欢和大家一起来分享绘画这些有趣的小故事和小知识，当然还有画家的一些精彩好作品呦！在这里，小编也谢谢大家对我的喜欢和支持，我会继续努力哒！说道《红楼梦》，大家一定是再熟悉不过了，特别是老版，堪称中国经典中的经典，除了里面的演员把人物拿捏得很到位之外，无论从服装还是音乐，也都是极为称赞的。
经典的瞬间想要留住，那就只有通过绘画的形式来保留了，戴敦邦先生在北京创作了36幅插图，耗时两年。从此他从一名《红楼梦》的读者变成了该题材绘画的热衷人。绘画的质感仿佛把我们都带回了那部剧中。这样的场景想必大家都非常的熟悉了吧，就是林黛玉初入贾府的一个场景。
戴敦邦先生的这组《红楼梦》插图无论从配色还是布局都非常的精致，人物的面部表情和动作都绘画的极为细致，他很擅长绘画中国人物画，多以古典题材及古装人物入画，所作气魄宏大，笔墨雄健，而且戴敦邦先生的作品也曾多次入选国内外大型美术作品展览及在多种专业报刊上发表。
耗时两年绘画出来的《红楼梦》，小编认为真的确实非常的精彩，也很喜欢。想必大家也都曾看过他最早之前绘画的有关《红楼梦》的插画，不过，这一次的会更有感觉一番。戴郭邦老师在原基础上重新构思绘制而成。
原先曾看到过这样的话，意思就是，绘画红楼人物，禁忌脸谱化自不待言，就连借助容貌形体特征的张力，以强调情感性格的手法，也不宜逾度使用。眉目表情的些微变化，举手投足的分寸把握，场景气氛的管造烘染，真善美与假恶丑的衬托对比，联想象征的表达手段，皆需琢磨再三，以求恰如其分地傅示出人物的神采气质，和思想情感彼涛，尽量体现原著开掘不尽的诗情画意。
这样说来，绘画《红楼梦》果然是要仔细仔细再仔细呀！我们所看到的的插图是戴郭邦老师辛苦仔细严谨所绘画来的。一幅好的作品，即使是插画，也是经得起推敲的。
都说一百个人看贾宝玉，就有一百种贾宝玉。我想从电视剧中所看到的和感受到的，和在插画中所看到的也是都各有一百种的不同理解吧！我们所看到的这些画面与曹雪芹笔下的大观园相仿佛，而又另有一番撼人心魄之处，真所谓“神秀”之作。
小编觉得戴郭邦老师的更新版《红楼梦》的插画，更深层次地画出了人物的内心状态，。突然也有好久没有再看过《红楼梦》了，看过戴郭邦老师的作品后，有一种想要再去读一遍的想法。也许，这次，又会有不同的感受和想法了。小伙伴们是不是也是这样的呢？每看一次都会有和之前不同的理解了，也许是我们经历了很多，想法也就不同了。我觉得，这就是《红楼梦》的神奇所在。
Hello everyone, I am a painting enthusiast and I really enjoy sharing interesting stories and knowledge about painting with everyone. Of course, there are also some wonderful works by painters! Here, thank you all for your love and support. I will continue to work hard! When it comes to “Dream of the Red Chamber”, everyone must be familiar with it, especially the old version, which can be considered a classic in Chinese classics. Apart from the actors in it holding the characters very well, both in terms of clothing and music, it is also highly praised.
The only way to preserve classic moments is through painting. Mr. Dai Dunbang created 36 illustrations in Beijing, which took two years. From then on, he went from being a reader of “Dream of the Red Chamber” to a fan of painting on this topic. The texture of the painting seems to bring us all back to that play. I believe everyone is very familiar with this scene, which is the first time Lin Daiyu entered the Jia Mansion.
Mr. Dai Dunbang’s illustrations of “Dream of the Red Chamber” are exquisitely crafted in terms of color scheme and layout. The facial expressions and movements of the characters are depicted in great detail. He is skilled in painting Chinese figures, often with classical themes and ancient costumes. His works are grand and vigorous, and have been selected for large-scale art exhibitions both domestically and internationally, as well as published in various professional newspapers and magazines.
The painting “Dream of the Red Chamber”, which took two years to complete, is truly wonderful and I really like it. I believe everyone has also seen his earliest illustrations related to “Dream of the Red Chamber”, but this time it will give a better feeling. Teacher Dai Guobang has redesigned and drawn it based on the original foundation.
I have seen such words before, which means that when painting characters in the Red Chamber, it goes without saying that facial makeup is taboo. Even using the tension of facial features to emphasize emotional personality should not be excessive. The slight changes in facial expressions, the appropriate grasp of gestures and gestures, the manipulation and coloring of the scene atmosphere, the contrast between truth, goodness, beauty, and falsehood, evil, and ugliness, as well as the expression methods of associative symbols, all need to be carefully considered in order to appropriately convey the character’s demeanor and temperament, as well as the conflicting thoughts and emotions, and to reflect the endless poetic and picturesque atmosphere of the original work.
In this way, painting “Dream of the Red Chamber” really requires careful attention! The illustrations we see are carefully and rigorously drawn by Teacher Dai Guobang. A good work, even an illustration, can withstand scrutiny.
It is said that if one hundred people look at Jia Baoyu, there will be a hundred types of Jia Baoyu. I have a hundred different understandings of what I want to see and feel in TV dramas, as well as what I see in illustrations! The scenes we see are similar to the Grand View Garden depicted by Cao Xueqin, but there is also a touch of soul stirring, truly a masterpiece of “divine beauty”.
The editor believes that the illustrations in Dai Guobang’s updated version of “Dream of the Red Chamber” depict the inner state of the characters at a deeper level,. It’s been a long time since I last watched “Dream of the Red Chamber”. After reading the works of Professor Dai Guobang, I have a desire to read them again. Perhaps this time, there will be different feelings and thoughts. Are you guys like this too? Every time we watch it, we will have a different understanding than before. Perhaps because we have experienced a lot, our thoughts will also be different. I think this is the magic of Dream of the Red Chamber.