《鉴识古墨》是2001年福建美术出版社出版的图书，作者是孟滢。
中华民族是世界上最酷爱收藏的民族，历史上的收藏大家代不乏人。改革开放以来，在中华大地上更是掀起了一股全民“收藏热”。但是收藏是一种学问，别说初入道的人，就是老于此道的人，有时一不小心也会上当受骗。如今市场上书画、古玩“新假破”充斥不说，连拍卖会上都时有赝品，这确实是一个令收藏者挠头的问题。
基于此，我们编辑出版了这套“抱佛脚丛书”，分为“中国书画鉴识”和“中国古玩鉴识”两个系列。这套丛书特别强调“实用性”和“可操作性”，目的就是想为广大收藏爱好者提供实实在在的帮助。丛书的所有作者，都不仅是研究专家，而且是“藏家”和“玩家”，都有一定的实战经验，都在各自熟悉的领域“捡过漏”，书中发表的作品有些就是他们自己的藏品。
孟滢号石翁，1921年生于河南郾城。小学时投笔从戎参加新四军，1951年参加抗美援朝，伤残后回南京军区工作。1964年师从陈大羽先生，以书、画、印为业余爱好，垂六十年。作品多次参加市、省、全国展览，其中篆刻被收入《现代印章选集》。出版有《邓石如书法篆刻全集》《中国历代名家小楷精选》。有数十篇文章在海内外报刊发表。事迹被收入《当代中国艺术人成》《中国美术家人辞典》等人型辞书。现为中国书协会员、安徽书协理事、安徽美协会员、安庆邓石如书院院长。
Appreciation of Ancient Ink “is a book published by Fujian Fine Arts Publishing House in 2001, written by Meng Ying.

The Chinese nation is the most collectible nation in the world, and there have been many generations of collectors in history. Since the reform and opening up, there has been a nationwide “collection fever” in China. But collecting is a form of learning, not to mention beginners, even those who are experienced in this way, sometimes they may be deceived by mistake. Nowadays, the market is filled with “new, fake, and broken” calligraphy, painting, and antiques, and even there are often counterfeit products at auctions. This is indeed a problem that makes collectors scratching their heads.

Based on this, we have edited and published this series of “Buddha’s Nestled Books”, which are divided into two series: “Appreciation of Chinese Calligraphy and Painting” and “Appreciation of Chinese Antiques”. This series of books places special emphasis on “practicality” and “operability”, with the aim of providing practical assistance to collectors. All authors of the series are not only research experts, but also “collectors” and “players” with a certain amount of practical experience, who have “found and missed” in their familiar fields. Some of the works published in the books are their own collections.

Meng Ying, also known as Shi Weng, was born in Yancheng, Henan in 1921. When I was in elementary school, I joined the New Fourth Army and joined the Korean War in 1951. After being disabled, I returned to work in the Nanjing Military Region. In 1964, he studied under Mr. Chen Dayu and devoted sixty years to calligraphy, painting, and printing as his hobbies. The work has participated in multiple city, provincial, and national exhibitions, with seal cutting included in the “Selected Modern Seals”. Published are “Complete Collection of Deng Shiru’s Calligraphy and Seal Cutting” and “Selected Works of Famous Chinese Writers in Xiaokai”. Dozens of articles have been published in domestic and foreign newspapers. His deeds have been included in dictionaries such as “Contemporary Chinese Artists’ Achievements” and “Dictionary of Chinese Art Family”. He is currently a member of the China Calligraphy Association, a director of the Anhui Calligraphy Association, a member of the Anhui Artists Association, and the dean of Anqing Dengshiru Academy.

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