《鉴识鼻烟壶》是于2002年6月1日由福建美术出版社出版的一部图书。
《鉴识鼻烟壶》：抱佛脚丛书，中国古玩鉴识系列。中华民族是世界上最酷爱收藏的民族，历史上的收藏大家代不乏人。改革开放以来，在中华大地上更是掀起了一股全民“收藏热”。但是收藏是一种学问，别说初入道的人，就是老于此道的人，有时一不小心也会上当受骗。如今市场上书画、古玩“新假破”充斥不说，连拍卖会上都时有赝品，这确实是一个令收藏者挠头的问题。
基于此，我们编辑出版了这套“抱佛脚丛书”分为“中国书画鉴识”两个系列。这套丛书特别强调“实用性”和“可操作性”，目的就是想为广大收藏爱好者提供实实在在的帮助。丛书的所有作者，都不仅是研究专家，而且是“藏家”和“玩家”，都有一定的实战经验，都在各自熟悉的领域“捡过漏”，书中发表的作品有些就是他们自己的藏品。
《鉴识竹木雕》作者汤兆基先生是著名的书法篆刻家、文物鉴赏家、《上海工艺美术》主编。长期从事古代工艺美术的研究工作，《鉴识竹木雕》虽然著墨不多，但却是其数十年研究的心得，言简意赅，诚为竹木雕收藏者的良师益友。
过去常听到老师批评那些上课不认真听讲，临考试拼命啃书的人是“临时抱佛脚”。那么，“临时抱佛脚”有没有用呢？恐怕还真管用，因为大多数人确实都因此过了考试关。在收藏方面想必也能如此，问题是要把“佛脚”，而不是抱其他的脚。我们的书是“抱佛脚丛书”，抱的正是“佛脚”。“平时不烧香，临时抱佛脚。有了《抱佛脚》，宝贝跑不了。”请相信，这句话是真的，热衷于收藏的朋友们，您不妨买一套书临时抱抱“佛脚”试试。
陈韬，1969年12月6日生于北京，自幼受家庭影响喜爱艺术，20岁开始在北京琉璃厂学习鉴别古玩字画，涉及门类繁多，精通古代玉器、古代字画、紫砂等文玩杂项。现供职于北京古玩城。
Identification of Snuff Bottles “is a book published by Fujian Art Publishing House on June 1, 2002.

Identification of Snuff Bottles: A series of books on Chinese antique identification. The Chinese nation is the most collectible nation in the world, and there have been many generations of collectors in history. Since the reform and opening up, there has been a nationwide “collection fever” in China. But collecting is a form of learning, not to mention beginners, even those who are experienced in this way, sometimes they may be deceived by mistake. Nowadays, the market is filled with “new, fake, and broken” calligraphy, painting, and antiques, and even there are often counterfeit products at auctions. This is indeed a problem that makes collectors scratching their heads.

Based on this, we have edited and published this set of “Buddha’s Nestled Books”, which is divided into two series: “Appreciation of Chinese Calligraphy and Painting”. This series of books places special emphasis on “practicality” and “operability”, with the aim of providing practical assistance to collectors. All authors of the series are not only research experts, but also “collectors” and “players” with a certain amount of practical experience, who have “found and missed” in their familiar fields. Some of the works published in the books are their own collections.

Mr. Tang Zhaoji, the author of “Appreciation of Bamboo and Wood Carving”, is a famous calligrapher, seal cutter, cultural relic connoisseur, and editor in chief of “Shanghai Arts and Crafts”. I have been engaged in research on ancient arts and crafts for a long time. Although there is not much literature on “Appreciation of Bamboo and Wood Carving”, it is the result of decades of research. It is concise and concise, and I am sincerely a good teacher and friend for bamboo and wood carving collectors.

In the past, I often heard teachers criticize those who didn’t listen attentively in class and struggled to read in the face of exams as “cramming”. So, is it useful to “cram for it temporarily”? I’m afraid it really works because most people do pass the exam as a result. In terms of collection, it is possible to do the same. The problem is to hold the ‘Buddha’s feet’ instead of other feet. Our book is the “Buddha’s Feet Series”, which holds exactly the “Buddha’s Feet”. If you don’t burn incense during normal times, you can hug Buddha’s feet temporarily. With “Buddha’s feet”, your baby can’t run away. “Please believe this sentence is true. Friends who are passionate about collecting, you may as well buy a set of books to try hugging Buddha’s feet temporarily.

Chen Tao, born on December 6, 1969 in Beijing, was influenced by his family and loved art from a young age. At the age of 20, he began learning to distinguish antique calligraphy and painting in Liulichang, Beijing. He covers a wide range of fields and is proficient in ancient jade, ancient calligraphy and painting, purple sand and other cultural and miscellaneous items. I am currently working at Beijing Antique City.

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