《鉴识彩绘瓷》：抱佛脚丛书，中国古玩鉴识系列。中华民族是世界上最酷爱收藏的民族，历史上的收藏大家代不乏人。改革开放以来，在中华大地上更是掀起了一股全民“收藏热”。但是收藏是一种学问，别说初入道的人，就是老于此道的人，有时一不小心也会上当受骗。如今市场上书画、古玩“新假破”充斥不说，连拍卖会上都时有赝品，这确实是一个令收藏者挠头的问题。
基于此，我们编辑出版了这套“抱佛脚丛书”，分为“中国书画鉴识”和“中国古玩鉴识”两个系列。这套丛书特别强调“实用性”和“可操作性”，目的就是想为广大收藏爱好者提供实实在在的帮助。丛书的所有作者，都不仅是研究专家，而且是“藏家”和“玩家”，都有一定的实战经验，都在各自熟悉的领域“捡过漏”，书中发表的作品有些就是他们自己的藏品。
朱裕平，中国文化史学者，古陶瓷专家，祖籍江西南昌，1947年生于上海。早年研读哲学，后将科学方法论引入中国陶瓷研究，对陶瓷文化史理论结构的建立和表现方式的形成作了重要贡献。在海内外发表专著多种。
Appreciation of Painted Porcelain: A series of books on Chinese antique appreciation. The Chinese nation is the most collectible nation in the world, and there have been many generations of collectors in history. Since the reform and opening up, there has been a nationwide “collection fever” in China. But collecting is a form of learning, not to mention beginners, even those who are experienced in this way, sometimes they may be deceived by mistake. Nowadays, the market is filled with “new, fake, and broken” calligraphy, painting, and antiques, and even there are often counterfeit products at auctions. This is indeed a problem that makes collectors scratching their heads.

Based on this, we have edited and published this series of “Buddha’s Nestled Books”, which are divided into two series: “Appreciation of Chinese Calligraphy and Painting” and “Appreciation of Chinese Antiques”. This series of books places special emphasis on “practicality” and “operability”, with the aim of providing practical assistance to collectors. All authors of the series are not only research experts, but also “collectors” and “players” with a certain amount of practical experience, who have “found and missed” in their familiar fields. Some of the works published in the books are their own collections.

Zhu Yuping, a scholar of Chinese cultural history and an expert of ancient ceramics, was born in Nanchang, Jiangxi Province in 1947 in Shanghai. In his early years, he studied philosophy, and then introduced scientific methodology into the study of Chinese ceramics, which made an important contribution to the establishment of the theoretical structure of ceramic cultural history and the formation of the expression mode. Published various monographs both domestically and internationally.

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