屁合战绘卷 – 全球珍藏

2023年-01月-10日 ➠ 737 ➠ ♥ 0

日本古代生化战争纪实屁合战绘卷（屁合戦絵巻），绘于日本江户时代的，此画卷现藏于日本早稻田大学图书馆，长达10米，书写年不明，相覧弘化3年写本。在这组画面中，描述了日本古代一次用屁作战的场景——即，双方通过屁相互发飙，双方因为吃起了争执，用屁把对方吹得人仰马翻，甚至把狗吹上了天。“屁合战”是古代日本的著名发飙手段，有些类乎欧洲人的决斗。但与野蛮的欧洲决斗相比，却有着极为显著的普世特色——不歧视妇女、儿童和老人，甚至病号也能上战场，从而可以杜绝只有利于蛮力的决斗弊端。据介绍，参加“屁合战”的战士们，都可以通过吃更多的豆子，而增强其战斗力，以便更快、更猛的放出更多、更强、更臭的“屁”，从而将对方吹得丢盔弃甲、人仰马翻。“屁合战”的文明之处还在于：这虽是一种原生态的弱杀伤力的化学武器，但却可以吹破木板，将狗狗吹倒天上，乃至将鲁智深费了九牛二虎之力的大树连根拔起，以使其倒向对手。他可以将骑马的战士，连马一起吹翻，双屁合击之下，则能将人吹上天去。数屁连击之下，更能将木板房或屏风吹倒，最厉害的单屁则能将石头的磨盘当做暗器。人们认为，《屁合战》的画作之所以流行於江户时期的日本，首先凸显了时人对欧洲入侵厌憎态度。但作为当事人的欧洲人却并不这么看，他们认为其所描绘的并非是当时日本的真正生活状态，以及对欧洲文化的真正态度，因为还有更多类似画卷，呈现的是对欧洲文明的欢呼姿态。至于为何颇多出现这种《屁合战》的画作，他们认为这或许是外星人的阴谋所致。1992年，伦敦佳士得曾拍卖过12张疑为晓斋和渡边省亭等绘制的《屁合战》，而曾绘制《水浒传》108将的歌川国芳，也曾创作过《屁合战》的浮世绘。现藏於日本早稻田大学图书馆的10米长卷——《屁合战绘卷》，则堪称为最完满的《屁合战》画作了，据图书馆资料记载，该画卷的尺寸为29.6×1003.1cm，绘于江户时代，作者不详，抄写年代也不详，有人也认为这是1846年弘化3年的写本。
The painting volume of the ancient biological and chemical war documentary of Japan, which was painted in the Edo era of Japan, is now stored in the library of Waseda University, Japan, with a length of 10 meters and an unknown writing age. It is a 3-year version of Honghua. In this group of pictures, the scene of a battle with fart in ancient Japan is described – that is, the two sides are angry with each other through fart, and the two sides blow each other upside down with fart and even blow the dog to the sky because they have a quarrel. “Farewell war” is a famous means of getting angry in ancient Japan, which is similar to European duels. However, compared with the barbaric duel in Europe, it has a very significant universal feature – it does not discriminate against women, children and the elderly, and even the sick can go to the battlefield, which can eliminate the malpractice of duel that is only beneficial to brute force. It is reported that the soldiers who participate in the “fart war” can increase their combat effectiveness by eating more beans, so as to release more, stronger and smellier “farts” faster and more fiercely, thus blowing the other side out of armor and throwing them upside down. The civilization of “fart war” also lies in that although it is an original chemical weapon with weak killing power, it can blow the wood, blow the dog down to the sky, and even uproot the big tree that Lu Zhishen has worked hard to make it fall to the opponent. He can blow a soldier on horseback over with his horse, and blow a man to the sky with his two farts. The most powerful single fart can use the stone millstone as a concealed weapon. It is believed that the reason why the painting “Farewell War” was popular in Japan during the Edo period first highlighted the disgust attitude of the people at that time towards the European invasion. However, the Europeans, as the parties, do not think so. They think that what they describe is not the real life state of Japan at that time, and the real attitude towards European culture, because there are more similar paintings, which present a cheering gesture towards European civilization. As for why there are so many paintings of “The Battle of Farewells”, they think it may be caused by the conspiracy of aliens. In 1992, Christie’s in London auctioned 12 pieces of “Farewell War”, which were suspected to be painted by Xiaozhai and Watanabe Provincial Pavilion, and Gechuan Guofang, who had painted 108 pieces of “Outlaws of the Marsh”, also created Ukiyos of “Farewell War”. The 10-meter-long scroll of Farewell War, which is currently in the Waseda University Library of Japan, is the most complete painting of Farewell War. According to the library data, the size of the scroll is 29.6 × 1003.1cm, painted in the Edo era, the author is unknown, and the date of transcription is also unknown. Some people also believe that this is the manuscript of the third year of Honghua in 1846.