此为《遗香堂绘像三国志》残本其中木刻版画插图部分，内含插图42幅，版画表现较不受回目拘束，而有着选取轶事作为画题的特质，除此之外，着重女性描写、怪谈与忠孝节义。此本大致为明末新安（今安徽歙县）黄诚之、黄士衡等刻本，现藏于美国国会图书馆。遗香堂版《三国志》为残本，有42幅插图。 第一幅图题：”新安黄诚之题。” 第七幅图有类似题字：”黄诚之刻。” 第八幅图题：”黄士衡刻。” 著名藏书家马廉（1893-1935年）也有一份该作品的遗香堂版的残本。马廉和文学评论家孙楷递（1898-1985年）均认为此本为清版，但是它更有可能出于明朝，因为版刻匠黄诚之生活在明朝晚期。
This is the remnant of “The Painting of the Three Kingdoms”, which contains 42 illustrations in woodcut prints. The performance of prints is not restricted by retrospect, but has the characteristic of choosing anecdotes as the title of the painting. In addition, it focuses on female description, strange talk and loyalty and filial piety. This book is roughly carved by Huang Chengzhi and Huang Shiheng in Xin’an (today’s She County, Anhui Province) in the late Ming Dynasty, and is now in the Library of Congress. The Records of the Three Kingdoms of the Yixiangtang edition is an incomplete version with 42 illustrations. The title of the first picture: “The title of Xin An Huang Cheng.” The seventh picture has a similar inscription: “The engraving of Huang Cheng.” The title of the eighth picture: “Huang Shiheng carved.” Ma Lian (1893-1935), a famous book collector, also has a copy of the Fragrance Hall version of this work. Ma Lian and Sun Kaidi (1898-1985), a literary critic, both believed that this was a Qing edition, but it was more likely to have originated from the Ming Dynasty, because the engraver Huang Chengzhi lived in the late Ming Dynasty.

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