晚清新闻画报收藏

2024年-02月-26日 ➠ 721 ➠ ♥ 0

Memory记忆 Record记录 412P 晚清新闻画报收藏

分类 Memory记忆 190篇中百篇内相关文章

当此之际，一些精明的报刊经营者受流行的带插图的版《晚清新闻画报收藏》启发，采取图文结合的办法，创办一批新闻画报，用图画的方式反映社会发生的新闻事件，每幅皂门上配置简约又字，或独立发行，或随主刊附送，颇受读者欢迎。这些画报有册装、经折式蝶装和单张三种。册装有日刊和旬刊，蝶装有三日刊、五日刊、周刊和旬刊，单张也有曰刊、三日刊、五日刊多种。
清末，腐朽至极的皇权统治已摇摇欲坠，民众对社会变化日益关注，新闻类报纸风行。但彼时的报章行文都蓍敖牙的文言文，非一般百姓所能读懂，所以除上海《申报》外发行量都很小。册装和蝶装本一般单独订阅，单张画报则羹报附送，不单收费，以大王报影响。图又并重的阅读形式本来是古人一种理想的治学方法，正昕谓：置图于左，置书于有，索像于图，索理于书。”既然读者爱看带插图的书籍，也一定喜爱图，又兼蓄的报纸，于是大胆试行，结果很快被读者接受。这画报以上海《点石查画报》为肇始，图文并茂的画报风靡一时，颇受人们的欢迎。1909年出版的《京华百工竹枝词》有曰：“各家画报售纷纷，销路争夸最出群。纵是花丛不识字，亦持一纸说新闻。”毕竟，对于民智未开、识字不多的普通人来说，看着那一幅栩栩如生的图画，多多少少可以了解一会儿时事新闻。于是，在图上配以浅白通俗的文字，评说着社会上发生的各种新闻，画报一下子盛行起来。它不仅收到了新闻官一传的效果；对于开启民智，更是不无裨益。然而受地域环境、语言和人们的生活习惯影响，不同城市的画报有不同的笔法风格，从绘画风格和语言特色而言，可分三个流派，即上海画派、北京画派和天津画。
At this time, some shrewd newspaper operators were inspired by the popular illustrated edition of the “Collection of Late Qing News Pictorial” and adopted a combination of graphics and text to establish a batch of news Pictorial, which reflected social events in the form of pictures. Each soap door was equipped with simple and elegant characters, either independently distributed or attached to the main magazine, which was very popular among readers. These pictorial posters come in three types: book bound, folded butterfly bound, and single sheet. The book contains daily and weekly magazines, while the butterfly edition includes three day, five day, weekly, and weekly magazines. There are also various types of daily, three day, and five day magazines on a single page.
In the late Qing Dynasty, the extremely corrupt imperial rule was on the verge of collapse, and the public was increasingly concerned about social changes, with news newspapers becoming popular. But at that time, the classical Chinese texts of the newspapers were not easily understood by ordinary people, so the circulation was very small except for Shanghai’s “Shen Bao”. Booklet and butterfly edition books are generally subscribed separately, and a single picture newspaper is included in the soup newspaper, without charge, subject to the influence of the king newspaper. The form of reading that emphasizes both pictures and images was originally an ideal method of academic research for ancient people. Zheng Xin said: “Place pictures on the left, place books on the right, search for images on pictures, search for principles on books.” Since readers love reading books with illustrations, they must also love newspapers with both illustrations and savings, so they boldly tried it out, and the result was quickly accepted by readers. This pictorial newspaper started with the Shanghai Dianshi Cha pictorial newspaper, which was popular with illustrations and text. The “Jinghua Baigong Zhuzhi Ci” published in 1909 said, “Various pictorial newspapers are selling one after another, and their sales are highly praised. Even if the flowers are illiterate, they still hold a piece of paper to tell the news.” After all, for ordinary people who have not yet developed their intelligence and are not very literate, looking at that vivid picture can help them understand current affairs news for a while. So, with simple and plain text on the picture, various news events that occurred in society were commented on, and pictorial newspapers suddenly became popular. It not only received the effect of a news official’s announcement; It is also beneficial for opening up public intelligence. However, influenced by regional environment, language, and people’s living habits, pictorial art in different cities has different brushwork styles. In terms of painting style and language characteristics, it can be divided into three schools: Shanghai Painting School, Beijing Painting School, and Tianjin Painting.