《戳脚》刘景山 – 全球珍藏

2023年-10月-12日 ➠ 519 ➠ ♥ 0

戳脚拳术是农民起义领轴武术大师冯克善于十九世纪三十年代在河北饶阳、蓝县创立的一个优秀传统拳种。因他形成较晚，继承者又不肯轻传，故至今流行区域主要在河北中部、北京和沈阳一带。现在掌握全艺的拳师已不多见，如不抢救则将失传。
关于戳脚的名称：戳脚是九番御步鸳鸯勾挂连环悬空戳脚的简称，又名九番鸳鸯脚、丸枝子、趟子腿。戳脚的套路称为“趟子”，一个套路称为一趟，练习戳脚称“踢趟子”。“九番”是指截脚套路分为“文”、“武”各九趟，其腿法一腿变多腿，可变化出九九八十十一腿法，其手法一手变多手，手法与腿法结合可变化出多种攻防方法。
此外，据古代阴阳的说法.奇数为阳，偶数为阴。“九”是阳数中最大者，称为“极阳数”。所以戳脚以“九”取名。“鸳鸯”取其阴阳相济之意，用阴阳这一古代朴素的辩证唯物主义思想来解释各法各势之间相辅相成、“相克相生”、刚柔相济、内外协调、对立统一的关系。
关于戳脚的源流：鸳鸯脚是截脚中一个动作名称，以其动作形如鸳鸯而得名。它前出之掌就象鸳鸯鸟头上的羽冠，后起之脚好似鸳鸯鸟上翅的尾巴，成为戳脚中一个独具特色的典型动作，所以鸳鸯脚又成为戳脚的别名。
成书于元末明初的《水浒传》第二十九回生动细致地描写了武松使用“禾环步，鸳鸯脚”的招数醉打蒋门神的情节，不但其动作名称与今戳脚中的“玉环步，鸳鸯脚”相同，而且其技击动作过程也与戳脚中的“玉环步，鸳鸯脚”基本相同。此外，该书第十七回“花和尚单打二龙山”还描写有鲁智深以脚“点翻”邓龙的情节。
“点”是戳脚腿法中较独特的用语，泛指以足尖攻击对方。实践是认识的唯一源泉。可见《水浒传》作者生活的那个时期，戳脚的某些内容已经存在，因此它的历史可以溯源到元末明初。
戳脚对技术要求比较全面，演练时法，腿法、身法、气法必须有机配合，内外如，形神兼备。它的劲法刚里含柔，柔中有刚，刚柔相济。它的攻防方法虚中藏实，实中有虚，虚虚实实，变化莫测。它不但勇猛刚劲；攻势凌厉，而且常常寓刚猛于松柔之中，即所谓“软弱松脆内藏奸”。它不但重视技巧，而且强调力度和硬功，在技击格斗中要求既能“一力降十回”又要“以巧拨子斤”。它的动作舒展大方，灵活疾速，左右闪，放长击远。此外加之它丰富多变的腿法，遂形成其独特的武术风格。
戳脚最突出的特点是：拳脚并重、突出用腿，以其丰富多变的腿法见长。酸期腿法概括为八类，各类腿法都有不同的变化，而且互相结合，构成各种不同的攻防方法。这些具体方法总计八十一种，亦称为“戳脚八十一腿法”。
Poking Fist is an excellent traditional boxing technique established by Feng Keshan, a martial arts master who led the peasant uprising, in the 1830s in Raoyang and Lanxian, Hebei. Due to its late formation and unwillingness of its successors to pass it on lightly, the popular areas to this day are mainly in central Hebei, Beijing, and Shenyang. Nowadays, there are not many boxers who master all skills, and if not rescued, they will be lost.

Regarding the name of “Poke Feet”: Poke Feet is the abbreviation for “Jiufan Yubu Yuanyang Hook Chain Hanging Poke Feet”, also known as “Jiufan Yuanyang Feet”, “Marubezi”, and “Tanzi Leg”. The routine of poking feet is called “Tanzi”, one routine is called “Tanzi”, and practicing poking feet is called “Kicktanzi”. The ‘Jiufan’ refers to the technique of cutting feet, which is divided into nine stages: ‘Wen’ and ‘Wu’. Its leg technique changes from one leg to multiple legs, resulting in the development of the 99811 leg technique. The technique changes from one hand to multiple hands, and the combination of technique and leg technique can lead to various attack and defense methods.

In addition, according to the ancient theory of yin and yang, odd numbers are yang, and even numbers are yin. ‘Nine’ is the largest number of yang, known as the ‘extreme yang number’. So poke the foot and name it “nine”. The “Mandarin Duck” takes the meaning of the combination of yin and yang, and uses the ancient simple dialectical materialism of yin and yang to explain the relationship between the complementary, “mutual restraint and growth”, the combination of hardness and softness, internal and external coordination, and the unity of opposites among various laws and potentials.

Regarding the origin and development of poking feet: Yuanyang feet are the name of an action in cutting feet, named after its action shape resembling a mandarin duck. Its forward paws are like the feathers on the head of a mandarin duck, and its backward feet are like the tail on the wings of a mandarin duck, becoming a unique and typical action in poking feet. Therefore, the mandarin duck feet have become a nickname for poking feet.

The 29th chapter of “Water Margin”, written in the late Yuan and early Ming dynasties, vividly and meticulously depicts the plot of Wu Song using the technique of “He Huan Bu, Yuan Yang Jiao” to drunkenly hit Jiang Men Shen. Not only does its action name match the “Yu Huan Bu, Yuan Yang Jiao” in the current “Poking Feet”, but its combat action process is also basically the same as the “Yu Huan Bu, Yuan Yang Jiao” in the “Poking Feet”. In addition, the 17th chapter of the book, “Flower Monk Singles Erlong Mountain,” also depicts the plot of Lu Zhishen “flipping” Deng Long with his feet.

‘Point’ is a unique term in the technique of poking feet and legs, referring to attacking the opponent with the tip of the foot. Practice is the only source of knowledge. It can be seen that during the period when the author of “Water Margin” lived, some content of the foot poke already existed, so its history can be traced back to the late Yuan and early Ming dynasties.

The technical requirements for foot thrusting are relatively comprehensive. During the drill, the techniques of legs, body, and qi must be organically combined, with both internal and external elements, and a balance between form and spirit. Its strength method contains softness in hardness, hardness in softness, and the combination of hardness and softness. Its attack and defense methods hide reality in emptiness, with emptiness in reality, and are unpredictable. It is not only brave and vigorous; The attack is fierce and often combines strength with softness, which is known as “weakness, looseness, and concealment of traitors”. It not only values technique, but also emphasizes strength and hard work. In combat, it requires both the ability to “reduce ten times with one force” and the ability to “skillfully handle the weight”. Its movements are relaxed and graceful, agile and fast, flashing left and right, and hitting long and far. In addition, its rich and varied leg techniques have formed its unique martial arts style.

The most prominent feature of foot thrusting is that it emphasizes both fists and feet, emphasizes the use of legs, and excels in its rich and varied leg techniques. Sour leg techniques can be summarized into eight categories, each with different variations and combinations to form various attack and defense methods. this